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March 20, 2010
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Well it looks like next week starts the first of my convention appearances for this year. One question that still boggles me to this day and has yet to be really answered.  The expectations of convention sketches.

  Here is where I am going with this. Let me use comparison examples. If I were attending as a writer I would be there either signing my comics for fans or selling my latest book. Signing, not writing short stories on demand but, rather, meeting and talking with people whom I very much appreciate fallow what I do. If your writer were to attend the convention and were taking short story jobs on demand, you would find that he or she would be there berried in his or here computer rather than meeting or being able to give time to the fallowing individuals who looked forward to meeting them.

  Now, if I were attending as an actor, I would be there signing my photo glossy's and talking with the fans as they come up about my many adventures in the business of acting. Making eye contact with and shaking hands with so many people that I am most appreciative of for fallowing my work. Now, if I were also available for short acting roles while there, say commercials or such, I have script to rehearse, time with the director, make up, etc.....no time anymore for meeting Martha and looking here in the eyes as she expressed how my performance meant so much to here in her favorite sci-fi film. Nope, not any more.

  No, I do neither of these two creative arts. I work in my humble little studio at my desk that has been adjusted over the years to supply the best comfort for the long hours needed to produce these visual little stories on paper. Adjusted because, otherwise, lower back pain will set in making it difficult to continue the next day.

  When at  a convention, I am there to enjoy and meet new people and old friends that I am very blessed to know through what I do. I have prints available for sale that I sign for free (as well I should)and original, published art for sale as well. You enjoyed Indiana Jones or Hulk, you can buy a one of a kind piece of what made that issue happen. This year, I have a printed sketch book that will be available as well. These things allow me to stand at my table and look eye to eye with people and enjoy conversation. Now, If I were to be, say, working on a cover illustration there at the convention, most people will be walking by looking at the top of my head. This is the view most people have of comics artist while walking through the show.

Now, I'm not saying that I don't want to draw an image of Robin wearing scuba gear while humping a seal, er...well, yeah, I am saying that actually. My point is that, for whatever reason, it has become expected that that is what the comics artist is there for and that is it.

  I had the most wonderful experience several months ago at a convention in Tennessee. Adventure Con. I chose to do just one drawing that convention and it was in the comfort of the hotel room at least. A little better on the back but not much. I sold prints, original art and had the time to meet and have wonderful conversation with some amazing people. I couldn't have done that with my head down and a sketch list to fill by days end. How could I?

  Anyway, just curious as to how we have allowed ourselves to become a bit of a side show at these things.  I feel that while it gives someone their fetish piece at a price, it prevents others from really reaching us. If it's a matter of money, I can sell more prints looking eye to eye in the time it takes to do a sketch on the fly. With this, I get to enjoy the people I meet rather than wish they would go away so I can get to the three more pieces I have to have done by shows end. Rushed pieces that may find their way to the world wide web.

Thoughts?
  • Listening to: coldplay
  • Watching: this screen
  • Eating: too much
  • Drinking: coffee, lots of it.
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:iconfindingox:
an interesting point you make... I can't make a guess for the artists that draw at Cons (whether it be for money or they're shy or private or whatever), but I can guess for the fans at least, they may want to see or watch 'the master' in action, esp. if it's for a personal commission, which they may not get a chance to see often... maybe the artists that do are just catering to the fans :)
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:iconstevescott:
~stevescott Mar 21, 2010  Professional Artist
it can be looked at that way but, ...it's for the money. Trust me, I understand that, big time. The term starving artist is out there in our pop culture for a reason. Just a balance is all. I know some artist actually go to the conventions, gather a list of commissions and go to their room to do them so that they can get them all done.

Now, with that, no one else see's them. It becomes first come, first serve....now bye bye.
Truth is, we have to make money some how. I just prefer to give my best however I need to do that as the work is there forever. I also enjoy meeting people.
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:iconfindingox:
yes, you make good points :)
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:iconbright-raven:
That's a big reason why I do sketchcards most often - cheap for fans and I can pencil, color and ink a card in 20 minutes. Or, I get people's addresses and their payment up front for a commission if I know I won't complete it during a show. (Naturally, one needs to feel inclined to do that and be able to finish commissions in addition to one's regular schedule at home in such an instance.)
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:iconstevescott:
~stevescott Mar 20, 2010  Professional Artist
So very true. I really am looking into doing more sketch cards. As you said, it keeps it quick and easy. I think that when given a large canvas, as it were, we feel compelled to do what we do normally for a cover or other such published work.

Good idea on the sketch cards. I like that.

As for take home commissions, that too is preferred for me as well or, as with the convention I had mentioned, I just did it in the quiet of the hotel room (that sounded cheap).
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:iconbright-raven:
That's part of it. You also want to have produced the best art that the buyer acquires at that show. The piece that makes everyone else want to up their game. The larger the piece, the more the pressure for that effect. Sketchcards eliminate that pressureto a high degree - now you're not worrying about competing with Adam Hughes' 14 X 17 ink wash extravagana that was 2-3 hours of Adam's time. You're just worrying about producing the best card art you can for the next ten to twenty minutes.
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:icontherealjoshlyman:
*TheRealJoshLyman Mar 20, 2010  Professional Traditional Artist
Loving the honesty first off. Second, I've only being doing conventions a couple of years now...but I've come to notice something of myself. got the Artbooks...got the prints, original art,.even posters...but nine times out of ten I really want to do commissions. But this year it's slim pickings. People want more for less...they want print holders, top loaders, bags for their stuff, frames...etc. so I can relate to your sketches situation...Do whatcha feel like and have fun. I haven't had even an hour total between the last 10 conventions I've attended. It's stay at the table, and do what i can to talk to people while drawing or selling lol...which sometimes can get weird.

Mine you I'm a rung or four below the ladder you're on lol.
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:iconstevescott:
~stevescott Mar 20, 2010  Professional Artist
We are all equally on the same ladder my friend. Trust me. In the end, we just draw comics. No cures for cancer, no creation of free energy. We make comics. :)
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:icontherealjoshlyman:
*TheRealJoshLyman Mar 20, 2010  Professional Traditional Artist
isnt that the best part though?
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:iconstevescott:
~stevescott Mar 20, 2010  Professional Artist
Yes it is....well, when the bills are paid... ;)
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